The Superhero Database Classification number, or SHDB Class, is a number that represents the overall 'power' of a character. All traits of a character are used for calculating the Classification.
What it DOESN'T mean
This doesn't mean that a higher class would always beat a lower class character. But the bigger the difference in Class is, the more obvious it is who'll win in a fight.
How is this calculated
( INT^1.3 + (STR*0.5 )^2 + (SPE*0.5)^2 + DUR^1.6 + (POW + (SPS*SPL))^2 + COM^1.8 ) ^ TIER
Super Power Score and Level
Every Super Power has a score (SPS) that is used to calculate the Class. Each Super Power also has 3 levels (SPL). The level is set when connecting that Super Power to a character. The level determines the final score, of the Super Power, being used in the calculation.
To understand what pataphysics is, you need to first understand the concept.
Yuan, also translated as "post-set", is a Greek root meaning "after" and "behind"
When this root is combined with other nouns to form new words, the new words can be understood as "what behind what" and "what about what"
The pataphysics-related articles in the Foundation are, to some extent,metafiction,meta-fiction
, that is, "a novel about a novel", because the characters or plots in the text reveal themselves as stories (roles) within a created story.
The following (derived) concepts are covered in this article:
Meta narrative :meta-narrativeThat is, the narrative about narrative focuses on action; that is, the author of the real reality actively exposes his creation as a fictional narrative technique in the process of writing.
Meta Narrative :meta-narrationThat is, the narrative within the meta-narration, and the narrative within the inner narrative, see the sections " Narrative Layer " and " Meta-narrative " below for details.
Metafiction :meta-fictionSimilar to meta-narrative meaning. But in this article, most of the emphasis is on the fictional attribute of the narrative framework, and it also specifically refers to: "(using) meta-narrative techniques (expression)".
meta-consciousness :meta-sensitivityThat is, the consciousness that the human subject is under the control of a certain level, and elements that violate the frame, mostly appear in postmodern thought. The meta-fictional awareness in this article means having a hierarchical cognition of the world and an unreal feeling of being under the control of a certain fictional framework.
Metafictional characters :meta-fictional character: This article specifically refers to thecognitionAnagnosisto their own role in the "narrative world".
Offense box :frame-disturningThat is to tease the boundaries of cognitive structures such as conventional frameworks and restrictive rules, or break through the field of original concepts, etc. 9 .
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pataphysics itself works like this
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Jarry also described it as "a solution of the imagination, which symbolically considers its typical characteristics, the source of the properties (descriptions of virtuality) of things".
but in the foundation is principally referred to narratiology, being a metafictional characetr means being able to affect the narrative itself
And, in the Foundation context, it usually refers to metafictional characters, a term for the study of elements of anomalous narratives.
It is essentially based on Narratology
The principles of fictional metaphysics are supernatural narratology.
It regards the factors involved in the narrative, such as the author, readers, story characters, narrative angle/narrator, creative techniques, creative tools, creative steps, etc., as part of the real things in metafiction.
And these real things can be influenced by meta-fictional characters in the narrative, thus affecting the subsequent performance of the narrative.
so in short pataphysics is a concept based on narratiology, for example characters from a novel could realize that they are on a novel and try to analize it
In short, pataphysics is a fictional metaphysics concept based on narratology and supernaturalizing and realizing narrative elements
At this time, the characters of the novel realize that they are in the novel, and try to analyze and influence the elements that constitute the ontology novel and the mechanism of the novel's operation, and then come to this knowledge.
is a method to deduce the difference between fiction and reality
In the stories related to the Foundation's pataphysics, the meta-narrative method is usually used to deduce the conflict between fiction and "reality ", sometimes with a strong sense of absurdity or fear of existence itself.
to applie this we need to follow this routine
When doing related creation, when writing the following routine , the form of meta will be used:
Metaphor: linking the noumenon of something in the upper narrative with the noumenon of something in the lower narrative, and endowing it with a new image in a new context, see below for details.
Cross-layer: That is, the meta-fictional character crosses the narrative layer and does something similar to "killing the author" to change the entire "narrative direction".
An indictment , where the character goes beyond metaphor/metonymy/metafigure to directly (to the reader) declares itself to be metafictional and declares something in reality to be an anomaly (e.g. calling "Sandbox One" an upper-level narrative simulation is the source of all chaos), or what is called itself corresponds to a certain thing in the upper narrative16 .
Obviously, if these three types of writing are not well written, it will inevitably tell what everyone knows in a more convoluted way, so that the narration of the article looks like inventing the wheel, or like a Chinese teacher. Talking about how to write a composition is the same as talking about how to "narrate", or come up with something empty and powerful that narrates every second.
What will be the origin of these routines will be discussed later.
a common narrative device is called a metaphor, a metaphor could be called fiction in fiction, a second metaphor would incorporate the first and use it as basis to its new reality, and viceversa
Metaphor is a narrative device, common in the creation of Foundation pataphysics, which can be understood as a gestalt extension of metaphor of metaphor, fiction based on fiction, metonymy of second-degree extension of metaphor, which incorporates the newly
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